Ecclesiastical Embroidery and the Ecclesiastical Vestments created from embroidery have a long history with the church. Workers, artisans, craftsmen, both men and women, professional embroiderers and laity, over countless millennium have added beauty to the church with the work of their hands by creating vestments and hangings for use in the worship service.
Ecclesiastical Embroidery is a liturgical art form with a long and varied history. During the height of the period known as “Opus Anglicanum” or “English Work” which dates from the late 12th century to the 14th century, the art form of Ecclesiastical Embroidery surpassed that of painting. Those works which were made in England were renowned for their beauty, and were highly prized and sought after. The Victoria and Albert Museum has a nice little introduction to the subject of Opus Anglicanum here:
One of the interesting techniques used during the period of Opus Angicanum was the stitch called underside couching to create the background of a piece, while split stitch which was used to create the rich folds in garments and the facial features. You can read about these techniques here:
Over the years, the art of Ecclesiastical Embroidery has undergone many changes. There is the fear that it is becoming a lost art form today.
A wonderful video is available from this site which gives praise to those who provide or create works of art in its many and varied forms to add beauty to our lives and to enhance our worship.
A heartfelt thanks goes out to those who strive to keep the Liturgical Art Form of Ecclesiastical Embroidery alive, and who continue to learn the history of the art form and use their skill with the needle to provide beauty to the church.
Solo Dei Gloria
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Filed under: Ecclesiastical Embroidery, Ecclesiastical Sewing Tagged: Ecclesiastical Embroidery, Ecclesiastical Sewing, Historical Needlework Resources, Liturgucal Arts, Opus Anglicanum, Pope John Paul II's Letter to Artists, Victoria and Albert Museum